…majin zanissho varthasi irge yeri. That was the phrase I was asked to translate for a tattoo by Youyou. The French she gave me was Tourne toi vers le soleil et l’ombre sera derrière toi, which I translated as, “Turn yourself towards the sun and the shadows will be behind you” (I suppose it technically ought to be “and your shadow will be behind you”, but I interpreted it loosely). The translation into Dothraki was Notas shekhaan majin zanissho varthasi irge yeri, and Youyou recently sent me a picture of the completed tattoo, which you can see below:
Athdavrazar! Tremendous work!
I also wanted to share my Norwescon schedule. I first attended Norwescon two years ago, and I’m happy to be returning this year, where the guest of honor will be none other than George R. R. Martin. Consequently, this will likely be the biggest Norwescon in recent memory. Norwescon is in Seattle, and will be held April 2-5, which means that I won’t be at WonderCon this year (which is too bad, because it’s awfully convenient. I could almost walk there!). If you happen to be in the Seattle area and you’re interested in seeing me at Norwescon, you’ll have more than a dozen opportunities—literally. Check out this schedule (note: my re-printing of this schedule should not be taken as a personal endorsement of 24 hour clocks, of which I disapprove):
- Thu 5:00 p.m. – 6:00 p.m., Cascade 3 & 4
David J. Peterson (M), Marta Murvosh, S. A. Bolich, Pat MacEwen
- Thu 8:00 p.m. – 9:00 p.m., Cascade 3 & 4
Why Can’t They Get It Right?
Matt Hammond (M), Bart Kemper, Keffy R. M. Kehrli, Loretta McKibben, David J. Peterson
- Thu 9:00 p.m. – 10:00 p.m., Cascade 2
Speaking Amongst the Stars
David J. Peterson (M), G. David Nordley, B. D. Kellmer, Dr. Ricky
- Fri 12:00 p.m. – 1:00 p.m., Cascade 9
How Are Games & Gamers Changing the World?
Donna Prior (M), Elizabeth Sampat, David J. Peterson, Jonny Nero Action Hero, C0splay
- Fri 4:00 p.m. – 5:00 p.m., Cascade 3 & 4
Ask the Experts: Biology
Dr. Misty Marshall (M), Alan Andrist, David J. Peterson, Stephanie Herman
- Fri 5:00 p.m. – 6:00 p.m., Cascade 13
The Languages of Game of Thrones
David J. Peterson (M)
- Fri 7:00 p.m. – 8:00 p.m., Cascade 12
The Languages of Speculative Fiction
Gregory Gadow (M), David J. Peterson, Kurt Cagle, Eva Phoenix, Nina Post
- Sat 12:30 p.m. – 1:00 p.m., Cascade 1
Reading: David J. Peterson (I’ll be doing a reading from Nina Post’s The Zaanics Deceit, for which I created the Væyne Zaanics language!)
David J. Peterson (M)
- Sat 2:00 p.m. – 3:00 p.m., Cascade 10
SF & Fantasy Themes In Metal Music
Lilith von Fraumench (M), David J. Peterson, Christian Lipski
- Sat 3:00 p.m. – 4:00 p.m., Grand 2
Autograph Session 2
Jeff Sturgeon, Django Wexler, Randy Henderson, G. Willow Wilson, Kristi Charish, Frog Jones, Richard Hescox, Darragh Metzger, David J. Peterson, Esther Jones, Jeremy Zimmerman, John (J.A.) Pitts, Kevin Radthorne, Laura Anne Gilman, Michael G. Munz, Rhiannon Held, Leannan Sidhe, Steven Barnes, Tim McDaniel
- Sun 12:00 p.m. – 1:00 p.m., Cascade 10
Frog Jones (M), David J. Peterson, Nina Post, Steven Barnes, Esther Jones
- Sun 2:00 p.m. – 3:00 p.m., Cascade 9
Be Your Own Agent
Kristi Charish (M), J. E. Ellis, Amy Raby, David J. Peterson
- Sun 3:00 p.m. – 4:00 p.m., Cascade 3 & 4
Eva Phoenix (M), G. David Nordley, David J. Peterson, Luna Lindsey, Sar Surmick
So…yeah. I’ll be busy. But that’s what I asked for. Load me up! I want my voice to be throaty and unrecognizable by Sunday! I want to be singing Johnny Cash!
In the interim, I’m going to be giving a talk at APOGEE in Pilani, India, in case you’ll be in the neighborhood, and I’ll also be heading to Nacogdoches, Texas to give a talk at Stephen F. Austin State University (that’ll be March 3rd). If you’re nearby, I hope to see you! Otherwise, I’m on Twitter, etc. World’s a small place.
Hey, guess what! Coming tomorrow, Game of Thrones season 4’s on DVD! And that means it’s just a couple of months until season 5! Eyelke jada!
Update: My schedule for Norwescon has been updated. No panels have been deleted or added and no times have changed, but I did them with a 12 hour (a.k.a. normal) clock, added room numbers, and changed some of the panelists.
I said in our last IRC chat that today would be the deadline for submissions, and since Qvaak has not submitted a haiku, we will have a new winner this year! But who will it be? First, let’s take a look at the contenders. Starting with Dothraki…
First, we have this entry from Zhalio:
Khal vezhven akka
laz drivo ki zisoshi
kash me vos villo.
The intended meaning is:
Even a great king
could succumb to a mere scratch
when his wisdom failed.
I don’t see how the last line works… It literally translates to “While he isn’t wise”. I would have used arrek for “when” rather than kash, but that would’ve exceeded the syllable count. I think kash could work in this way. Nevertheless, a nice reference to the untimely death of the mighty Khal Drogo, felled by a zisosh (or, maybe, a maegi).
Next, we have an offering from first-time haiku submitter vaqari:
fansa zin fredrilates
yer chir chafaan
It’s tough to understand, but I think what’s being said is, “Drop the reins! Let the dapple continue to gallop! You will nearly be the wind!” If that was the intended meaning, first, punctuation would’ve helped, and second, though a little unorthodox, I would’ve recommended Yer achafoe. That kind of turns chaf into a verb, but I think it works. I’m trying to wrap my brain around whether or not this works, but I very much like the aesthetic.
Now for High Valyrian, the number of entries of which absolutely dwarf Dothraki this year. What happened?! A lot of people turned in themed haikus, or multi-part haikus. I’m still looking for the best one, though. Let’s see what we’ve got!
Starting with Danny, check out this poem:
The intended meaning is:
The beauty of yours
It is chosen
By the people.
Close! It should be aōho (the genitive of the second person possessive pronoun aōhon), although this technically could work as a kind of “Oedipus the King” construction. That’d be more “The beauty yours”. So yes, you’re good there. The second line, though, should really just be a verb. The “to be” plus participle strategy really isn’t done in High Valyrian, though it remains a plausible strategy for languages descended from High Valyrian. “It is chosen” can be done with a single verb form. Also, I know there are problems with the whole applicative thing. Let that lie; I’ll take care of it. I like your use of ābrar for “people” (it’d mean more “humanity” rather than “populace”), but I haven’t seen bē used for the reintroduced agent of a passive verb. That’d be new territory for High Valyrian. Innovative, though!
Next, let me turn my attention to what I’m calling Zhalio‘s Fig Cycle. For those unfamiliar, I gave a talk at Google where I talked quite a bit about dried figs, for which there is a word in Dothraki (kemis). For the record, I spent a year in my youth in Fresno, where my step-grandmother and step-grandfather owned a house on which were kept many, many fig trees. The smell of rotting figs is…unmistakable. So is the joy of not having to ever eat figs. What an ugly word: fig. It’s like “pig” plus some dirty word that starts with “f”… Anyway, playing on the theme of figs (the word, for which, in High Valyrian is rōbir—one of the earliest High Valyrian words, oddly enough), Zhalio produced this brilliant quartet of haikus:
yne sȳngus daor,
— Nyke gōntan.
His fanciful English translations are even better than their comparatively spare High Valyrian counterparts:
Doth nothing to deter me,
O figs, fruit of gods!
Upon my palate
adorned in kingly splendor
you shall seem to me.
How much sweeter is your taste
Than all the world’s figs.
«Who», I hear thee wail,
«did bite this fig, mine by rights?»
— ‘Twas no-one but I.
Honestly, I don’t even know what to say. This transcends brilliance. There is a word for “ugliness” in High Valyrian, but Zhalio‘s use of qringevives I think adequately expresses the ambivalence a fig lover must have upon viewing the mawan that is a fig. Gevives (the High Valyrian challenge word) means “beautiful”, and qrin- is a kind of pejorative prefix. It doesn’t mean “un-” precisely, it’s more like “mis-” in “misinformation”. Very well chosen. Also, I love sȳngus supposedly from sȳngagon, which isn’t a word. I may add it as a backformation. The word for “royal” is actually dārōñe, but everyone would understand dārenka. There is a verb for “seem”, but the translation you chose works well. Masterful use of the instrumental collective of “fig”. I knew that case/number combination would come in handy one day. And finally your use of the independent pronoun in the nominative in the last sentence of the last haiku in conjunction with the regular conjugation of gaomagon was marvelous. Very well done! Truly better than figs!
Zhalio also gave us this non-fig-based haiku:
hae jesot jelmiot
The fanciful translation is below:
All men must needs fly
like dust in the fickle winds
of this vengeful life.
In this case, though, I like the Valyrian better. Much sparser; to the point. Very nice poem. I also really like the use of the verb iāragon. Nice job!
Moving on to Joel W‘s submission, first we have:
continue to see ourselves
in all beauty
I think the English translation of this one is clumsier than the Valyrian, which is good. I also like how “in all beauty” was put at the end; it’s a better capper for the poem than the verb. Very nice poem! Here’s the next:
The next is a cycle of poems called Zaldrīzero bē, “On Dragonkind”. Here they are:
lo mirre drēje;
And here is the intended meaning:
or like fire;
which is it?
I don’t know
But I think
if either is true:
what great beauty!
This is a great idea, but there are a few problems here and there. The first is the first verb should be gīmion (subjunctive), and the second is that I swear there’s a “to be” verb missing in the second half. Maybe it could work? The meaning would be “Perhaps both or none”, though. I think that works. The same is true of the next sentence, with a missing “to be”. In truth, the haiku format is simply unsuited to High Valyrian; it’s not as economical as Japanese. There are no null copulas in High Valyrian, so sometimes you just have to go without, and the result is a little clunky. I really like your use of the vocative in the last line, though! I’m not sure if that’s something I’ve done before (i.e. “what a x” or “such a x”, but I like it! I may add that to the official grammar. I like the first of these haikus the best. I think it works the best as a haiku and works the best grammatically. Excellent job!
To close, let’s look at Papaya‘s 12 (yes, 12) haikus. The first four were presented in a group, though they’re not thematically linked. Nevertheless, I will present them together, to make things easier on myself:
se sōnar māzis.
Raqan lī tembī
Se geviar udra.
The meanings are:
beauty in the night
under the sky.
and winter is coming.
Where are you?
We were victorious.
And I read
The pages I love
And beautiful words.
Some notes: As Papaya realized, the fourth poem breaks the mora count, because what was initially lua should indeed have been lī. All good, though! The first and third are my favorite. I like how simple the third one is. It just takes an idea and expresses it. Very nice! By the way, after you had composed this poem—and for a totally unrelated reason—I created a new word: ēbrion. It refers to the sky specifically at night. Of course, ēbrio gō still works!
Up next is an epic eight haiku cycle called Embro gō, “Under the Sea”. Here they are:
Yn iosre tolī
Yn skoriot iksan?
Kempr’ iēdro gō
Yn sparos iksan?
Gō nyk’ ilan
And here are the intended meanings:
Kisses my feet
In the sand
A life in the sea
Would be sweet for me.
It seems like
And death to me
To go far
And to die.
That’s my wish.
Although too cold
Under the sea
But where am I?
Under this heavy sea,
I don’t know
And who am I?
Under this dark sea.
my ship in the sea
And I sink/drown.
Wow. Stunning. Unless I’m missing something, these are flawless. A lot of nice choices made here. Some of the elisions are a little rough (in the sixth poem in particular), but they work! Excellent job.
And now the heavy burden falls to me to choose two winners. As I said before, from now on there’s going to be one winner for Dothraki, and one for High Valyrian. Competition was, uh, niqe for High Valyrian; not so much for Dothraki. First, then, I shall award the Mawizzi Virzeth—the Red Rabbit—given to the annual winner of the Dothraki Haiku Competition. This year’s winner is Zhalio!
Hajas, zhey Zhalio!
And now announcing a new award: The coveted Golden Owl (Āeksio Atroksia), given to the annual winner of the High Valyrian Haiku Competition. This year’s winner of the Golden Owl is Papaya, for his second haiku from the “Under the Sea” series!
Rijes aōt, Papayus!
It was tough to choose a winner for the High Valyrian side, but I thought that haiku of Papaya‘s was perfect, even apart from the greater context.
Fantastic work this year! Perhaps some of these may end up in the Game of Thrones Compendium? Here’s hoping!
(Note: I’ll still do recordings, but I’ll have to do them later today and add them. No time!)
Today is my birthday once again; I’m now 34 years old. Since there are no snappy songs associated with the number 34, I think it’s about time for me to stop announcing my age… (Well, except Charles Barkley’s number was 34 on the Suns). I received a nice gift from a fellow conlanger, Andrew Gerber, whose tales from Mongolia helped to inspire a number of Dothraki terms (including the separate words for wet and dried animal dung!). He sent me a card he wrote in Dothraki…
…and in Mongolian:
Veteran Dothraki speakers might spot a few errors in the first message, but give him a break! He’s still learning. I thought it was pretty good! As for the Mongolian, I have a hard time even pronouncing it (Mongolian’s use of Cyrillic is…unique). Wildly impressed how fluent he became in three years in Mongolia with the Peace Corps!
Now to business. It is time for this year’s Dothraki haiku competition. This year I’ve decided to throw a twist into it. We will have the haiku competition in Dothraki, as usual, where the prize will be the coveted Red Rabbit (Mawizzi Virzeth), won all three years by the amazing Qvaak. Will this be the first year he’s dethroned?! Be interesting to see if we get any from Living Language Dothraki users this year! (Though it’ll be understandable if there aren’t any: It’s only been out about three months.) Anyway, that competition will run per usual (rules at the end of this post). What I’m adding this year is an official High Valyrian haiku competition. It will not be for the Red Rabbit, but for some separate prize of my choosing (I haven’t decided yet). This way the different languages won’t be in competition. There will be separate rules for the Valyrian entries, so pay attention to those at the end. Feel free to submit one of each.
But before all that, here are my haikus for the year. First, Dothraki:
Achrakh ozokhi she yash
Glas rayim rissa.
Words that may not be available in there: yash is “air”; ozokh is the corpse of an animal; and rayim is like ray, but also passive. Now for High Valyrian:
A new word here is kȳvanon, which means “plan” or “strategy”. (And I think tubī works for the meaning I intend. Don’t you judge me! It’s my birthday!)
All right, this year’s challenge words are niqe, “stiff”, for Dothraki (take note of the rules regarding epenthetic vowels below) and gevives, “beauty”, for High Valyrian. Now here are the rules, reposted from years prior:
For the purposes of this contest, a haiku is 17 syllables long, with the syllable counts for each line being 5, 7 and 5, in that order. If you need to fudge, go for it, but I will weight exact syllable counts more highly..
Also (and this is important), since this is Dothraki, we are definitely going by syllable count, not mora count. Regarding syllable-counting, in Dothraki, a syllable is defined as a vowel plus one or more consonants on either side. A syllable cannot contain more than one vowel, which means that a word like kishaan is trisyllabic, not disyllabic.
If it helps, you may or may not contract the various prepositions that contract. So, for example, mr’anha (two syllables) is the usual way of saying “inside me”. For your haiku, if you wish, you can separate the two out, i.e. mra anha (three syllables). You can also drop purely epenthetic e vowels (so the past tense of “crush”, kaffe, can be rendered as kaff’). Feel free to play with word order and drop pronouns, as needed, bearing in mind that such language is figurative, and the reader will still need to be able to figure out who’s doing what to whom.
For Valyrian: Long vowels count as two mora, and a vowel with a coda counts as two mora, but a syllable will not have more than two mora. So a long vowel plus a coda consonant will still be two mora, for the purposes of the poem. If you can’t do the poem using mora, do it with syllables, but I’ll weight those done with mora more highly. This will make it more like a real Japanese haiku. If you need a particular word in a particular number/case combination or a verb in a particular conjugation, please let me know and I’ll give it to you.
Addendum: Rising diphthongs count as two mora (i.e. ae and ao); falling diphthongs count as one (e.g. ia, ua, ue, etc.). Also, word order is certainly freer in poetry than it is in everyday speech, but the rules about adjectives still apply (i.e. you use the short forms if the adjective appears directly before the noun it modifies; otherwise they’d take their full forms). And, finally, word-final consonants are extrametrical. Thus if a word ends in -kor, that counts as one mora, not two.
Shieraki gori ha yerea! Fonas chek!
Firesof athvezhvenari! Happy New Year! 2014 was a pretty swell year for Dothraki, as it saw the publication of Living Language Dothraki, the official introductory guide to the language, but onward we ride!
To start the new year off, I thought I’d go back and do a post I’ve been wanting to do for some time. A while back, Monserrat Vargas asked me for a translation of the famous Star Trek phrase “To boldly go where no man has gone before” into High Valyrian, as she intended to get it tattooed. I provided the translation here, and shortly thereafter, she got it tattooed—and sent me the pictures! Since I had her on the line, though, I decided to turn her new acquisition into an interview.
You see, I, like the majority of Americans, do not have any tattoos. (A poll quoted here says about 23% of Americans have tattoos, as of 2010.) This is not something that’s likely to change, as I can’t imagine getting a tattoo, and my wife is opposed. Unlike the majority of people who actively do not want to get tattoos, though, I think tattoos are the absolute coolest things in the world. I have opinions about what makes a good tattoo, and how much is too much, for my aesthetic tastes, but in general, I find tattoos fascinating and, well, badass. Nothing’s tougher than a tattooed biceps.
Because of this fascination, I’m always curious as to why those with tattoos get them, why they chose the tattoos they chose, etc. In the case of Monserrat Vargas, the choice is doubly interesting—not merely because she decided to get a tattoo in High Valyrian, but because this was her very first tattoo! I’m not certain, but I think that may be a first, for my languages (as far as I know, everyone else who had something tattooed in one my languages already had other tattoos). To learn more about why she made this decision and what went on behind the scenes, I conducted an interview with Monserrat Vargas over e-mail, which is copied below (with pictures!). Enjoy!
Q: Is this your first tattoo? If so, why did you decide to get a tattoo? If not, why did you decide to get your first tattoo? (Feel free to go into the meaning, but I’m also curious why you thought a tattoo was the way to go.)
A: Yes, this was my very first tattoo. I’ve always known that I wanted tattoos. They do tend to get a bad rap because they’re so permanent and that’s an intimidating thought. But to me, they’ve always represented the wearer at their deepest—most honest—level. I wanted my tattoos to be a visual representation of who I am. However, I also wanted it to be subtle. Truly an art piece. Everyone chooses how best to express themselves—I chose tattoos! The decision to FINALLY get my first tattoo was made because I was about to embark on a new stage of my life. I was leaving my hometown of Los Angeles, California to move to Seattle, Washington. It felt right to get my first tattoo as a tribute to my hometown. It would be the ultimate reminder of family and friends!
[Note: I didn’t know you lived in LA! But now that you’re gone, I’m going to be in Seattle this April for Norwescon. We should meet up!]
Q: What’s your connection to Star Trek—and what’s your favorite instantiation of the series?
A: I’ve been a huge fan of Star Trek from a very young age. It inspired my love for the stars and most especially for the science-fiction genre. Of course I love TOS (Star Trek: The Original Series). That was how I discovered Star Trek and that’s a bond that can’t be matched. But, as sacrilegious as it may be to say, I especially loved Enterprise because I was old enough to catch the real time broadcasts as opposed to discovering it via re-runs. It was always such a thrill to be a part of their next, great, space adventure!
Q: You kind of answered this already, but why this quote in particular? And then why around your ankle?
A: “To boldly go where no man has gone before.” The quote that encompasses and defines Star Trek. This was a quote that followed me as I grew up. It became more than a symbol for the show—it became a value I chose to live by. It encouraged me to not do things just because they’ve always been expected and done. To genuinely consider new, and even scary, possibilities. It’s what gave me the courage to pack up and leave the home I’ve always known. The choice in placement… I’ll be answering that part of your question in question 7.
Q: Who did the lettering? It’s gorgeous! Did you do it?
A: The lettering is intended to be Elvish from Lord of the Rings. I say “intended” because there are some slight modifications that needed to be made. When you get a tattoo you can’t just tell the artist, “I want this!” Certain alterations need to be made. What looks good on paper won’t necessarily translate well to skin. I researched heavily before I got my tattoo and I finished my journey at Ink Monkey Tattoo in Los Angeles (on the corner of Venice and Lincoln). I came across artist Juan Ramón Solano (goes by Ramón). He’s a magician when it comes to line work and lettering. When I saw his portfolio I knew I was in good hands.
Q: I’ve always been curious. A tattoo artist, in effect, has to be able to do every type of art—and well—in order to reproduce others’ drawings. And furthermore, they have to do it without making a mistake. So, like…how? How nervous are you of the tattoo artist making a mistake? Can you get your money back if they do make a mistake?
A: You’re putting a permanent piece of art on your body, of course you’re going to be scared that something’s going to go wrong! But you do your best to mitigate that fear beforehand. You REASEARCH, RESEARCH, RESEARCH. I can’t stress that enough! Do NOT go into some random beach tattoo parlour, do NOT make this choice when you’re inebriated. Do NOT make this choice unless you are ABSOLUTELY sure it’s what you want. If you interview with an artist and you’re not comfortable, don’t do it. There was an artist I interviewed with whose portfolio was promising and seemed capable—but their station was a mess! That immediately drew me away. There were establishments I didn’t even consider for more than a minute because the entire place was a mess. If you sense a tiny bit of unease, red flag that place and walk away.
When I walked into Ink Monkey it was immediately welcoming. The atmosphere was clean, professional, and fun. Ramón sat me down and we talked at great length about what I wanted and what options I had. We worked together on reworking the idea in my head into something that would complement me. He knew I was nervous so he thoroughly explained every part of the process and repeated himself as he began every step. He attended to my needs and helped keep me calm and happy. We build a bond of trust between artist and canvas.
He actually did make a slight mistake! Sometimes no matter what you do—mistakes happen. But Ramón handled it like a pro! In the word nēdenkirī what he thought was an n was actually the rī. Ramón immediately realized his mistake—confirmed with me that it was a mistake—and set it right. He mixed an ink color that perfectly matched my skin tone and broke the line between the two letters. When he was done, you couldn’t even tell that there had ever been a mistake! When mistakes do happen, any reputable tattoo artist has methods in place to correct it and make sure you walk away absolutely thrilled with your decision. There are even tattoo artists whose portfolio consists of fixing the shoddy work of other (less talented) tattoo artists!
Q: And, of course, the top question on the mind of anyone who’s never gotten a tattoo: On a scale of 1 to 10 (10 being most), how much did it hurt?
A: In regards to pain, that depends on the location of your tattoo. If you get it in a location with more fatty tissue or muscle to cushion you, it will hurt less. But if you get it somewhere where there’s very little to cushion the bone, then be prepared for it to sting! Since I got my tattoo on my ankle, I was in quite a bit of pain! The WORST bit was closer to the heel. I was handling it like a champ until he got to that part. Ultimately, it’s a needle piercing just underneath your skin. If you can’t handle a shot—then I’d rethink a tattoo. In answer to your question I started out with a 6/10 but it definitely ended with an 8/10!
Q: Any ideas for another tattoo if you’re getting one?
A: As far as other tattoos I plan to get… Now that’s where this gets pretty dorky. I got the tattoo around my ankle because this tattoo will be part 1 of a 3 part tattoo. This part is a matrimony of 3 television/book series that I deeply enjoy (Lord of the Rings, Game of Thrones, Star Trek), all represented in a way meant to represent my love of language.
Part 2 (which I’ve already gotten as of July) is a representation of my love of music. It is located on my other ankle and it’s a musical arrangement containing pieces from Harry Potter, Star Wars, and Doctor Who.
The final part—which is still in the planning stages—will represent my love of symbolism in art and it will be an homage to some of my favorite video games (Gears of War, Bioshock, and World of Warcraft) that will be located between my shoulder blades. Thus turning myself into a visual representation of a Triforce. The ULTIMATE homage!
[Note: As a ten year WoW player, it’d better be the Horde emblem you’re getting, and not the Alliance!]
Thank you for taking the time and sharing your photos, Monserrat Vargas! Your tattoos are awesome! You’re a lajak tawak in my book.
Coming soon: The Dothraki Haiku Competition. Maybe now that Living Language Dothraki has come out, we’ll see even more challengers trying to knock Qvaak off the throne!
As we near the day of Winter Goat (goat pictures! Send them!), I thought it would be fun to do the old “Twelve Days of Christmas” in Dothraki. I thought I’d do this with twelve days to go until Christmas, but then I forgot to do it, so instead, here’s all twelve days!
Of course, there’d be no such thing as Christmas to the Dothraki. (And, of course, in modern times, we don’t even recognize twelve days. Oh, hang on a sec. The twelve days of Christmas start on Christmas day! This must be what Germans refer to as Sylvester. Huh. Live and learn.) Consequently I had to think up something quasi-similar that they could celebrate annually (or every-so-often-ly, at least), and what I came up with was the coming of Jalan Qoyi, the so-called “blood moon”—a.k.a. harvest moon. The harvest moon doesn’t last for twelve nights, but apparently there’s a time between it and the hunter’s moon that’s special. It’s probably longer than twelve nights, but I say close enough.
So! Are you ready for a translation of a song that will definitely not scan if you try to sing it? Because I’m not! Here it comes!
Jumping straight to the twelfth day (use either khal or khaleesi, depending on your preference)…
Sh’akatthik Jalani Qoyi, azh khal/khaleesi anhaan…
On the twelfth (day) of the Blood Moon, the khal/khaleesi gave to me…
- Akatthi Awazakis,
- Twelve (Dothraki) Screamers,
- Atthi arakh hasi,
- Eleven sharp arakhs,
- Thi Jaqqe Rhani,
- Ten Mercy Men,
- Qazat zhoris qiya,
- Nine bleeding hearts,
- Ori vezhis haji,
- Eight strong stallions,
- Fekh Rhaeshis Andahli,
- The Seven Kingdoms,
- Zhinda serj kherikhi,
- Six leather vests,
- Mek mawizze!
- Five rabbits!
- Tor fasokhqoy,
- Four blood pies,
- Sen gal zhavvorsi,
- Three dragon eggs,
- Akat inglor,
- Two medallion belts,
- Ma firikhnharen ha khalaan!
- And a crown for a king!
Actually, that’s not bad to sing! There are a couple places where you have to jam in a syllable, but overall it works out pretty well. (Note: If line 7 seems like a mouthful, just remember it has only one more syllable than line 8, but you may as well treat ae like a diphthong. It’s doable.) As for the first line which needs to change each time, you can review numbers (and how to create ordinals) here. In singing, the syllable la is the one that should correspond to “day” in that line. Also, khal seems to work better if you hold it for two beats. I suppose you could do zhilak, “lover”, instead, but it’d be odd to do it without anni, “my”, and it would sound rather…personal.
And, of course, if you’d like to learn more Dothraki grammar—or get a gift for someone who might want to—you can pick up Living Language Dothraki, which is on sale now! There’s both a physical version and an online version, so it works both for folks who want an actual book in their hands and those who don’t want more stuff in the house.
Now, if I may turn my attention to long time readers of this blog, we have some business to attend to. There is a book coming from HBO called The Game of Thrones Compendium. This is a book that is going to compile and present a gigantic mezcla of fan submissions related to Game of Thrones the show (season 1 through 4—crucial to remember that it’s the show and not the books, where they differ). Afterwards, it’s going to be published. You can submit anything from analysis of the show to original works of art related to the show (visual art, songs, spoken word recordings, poetry, pictures of costumes). For a full rundown on what it is and how it works, read the faq here.
No matter what, this thing is going to be really cool. But you know what would make it cooler?
ORIGINAL WORKS IN DOTHRAKI AND/OR VALYRIAN!
Ever wondered what you would do with a poem in High Valyrian or Dothraki other than put it in a comment on this site? This. THIS. Granted, whatever you produce should be related to Game of Thrones in some other way besides the fact that it uses a language from the show, but that shouldn’t be tough. In fact, I’m sure some of the haiku submitted already could be resubmitted for the book. (Oh, and for legal purposes, all poems, etc. submitted to this website are the property of the original authors, and by submitting them here you give me the right simply to display them; you have not conveyed the rights of the original work to me in any way: You can still do what you want with it.) Or do something new. It’s all good!
The point is this: I want to see some language work in this book! Original poems, original songs—maybe even a dramatic reading of some of the lines in the show (Drogo’s speech, for example?)—memes (yes, Mad Latinist, you can submit your Valyrious memes, so long as you have the rights to the images! [If you don’t, note that you can use images from the show for this])! The possibilities are limitless!
Before submitting stuff, be sure to read the faq and the submission specs. If you’d like me to proofread something, please feel free to leave it in a comment, and note that it’s for the Compendium; I’ll try my best to get to those quicker than I do other things (I know I tend to be slow in responding).
Oh, and if you have a Dothraki or Valyrian tattoo? Please take the best photo you can of that and send it in!
As someone who works on the show, is a fan of the show, and is a fan of media in general, I think this is a really awesome project, and I hope it leads to more projects of its kind for other franchises, because it’s an outstanding idea. You can start submitting work on December 18th, and the submission period will be open until March 28th. So get ready, and let’s get crackin’! Dothralates!
It’s been a heck of a month for Living Language Dothraki. It made the Los Angeles Times’ best sellers’ list, so that’s cool! I’ve been all over the country talking about Dothraki, and I got really sick at the tail end of the journey.
And speaking of tails…
Winter Goat is getting ready to make a return! If you’d like to submit a photo to be considered for Winter Goat 2014, please send them to me at “dave” at “conlang” dot “org”. If I get some photos, I’ll put them up and we’ll have a vote, as is the Yuletide tradition here.
It was a lot of fun wandering the country talking about Dothraki. It’s been a while since I’ve been so focused on Dothraki specifically, as opposed to some of the other languages I’ve been working with, and I’ve discovered that it’s still the language I’m most fluent in (despite the fact that I’m nowhere near fluent). I signed a number of books with messages in Dothraki, and I’ve realized, to my horror, that a number of those feature errors (e.g. I didn’t use the right case with the relevant preposition; I spelled a word wrong, etc.). If you find a signed copy without any grammar errors, it’ll be quite valuable.
In New York, I did a panel at New York Comic-Con which was packed. That was a really awesome way to kick things off. You never know with a language creation event: you could be presenting to a room of two or two hundred. In this case, it was probably closer to four hundred. Here’s a picture my wife took during:
After New York I did a number of events in Southern California. Here’s a picture of the set of San Diego Living: a morning show. An early morning show. Ugh. Why don’t they record it at a different hour and just do a tape delay?! But whatever. It’s done. (Though I did flub whatever it was I said during the interview. My grammatical errors aren’t restricted to writing!)
I did a number of signings at libraries and bookstores. Among my favorite was the signing that was held at Mission Viejo city hall. They had a gavel. It was awesome. But this is my favorite picture from the event. It’s probably too blurry to do it justice, but this was just before Halloween, and this girl came in an outstanding Arya costume. The craftsmanship was unbelievable. A photo simply can’t do it justice. Athdavrazar, zhey Ari!
Last week I went to Colorado and then the Bay Area. In Colorado it snowed. A lot. It was literally below freezing. How people live in that nonsense is beyond me. Prof. Steven Hayward did get a nice shot of me at Garden of the Gods, though.
I also went to Berkeley, where, apparently, I failed to take a picture of anything except the hot dog I ate and this dinosaur in VLSB:
I don’t even know with me sometimes…
But hey! If the Dothraki lived in prehistorical times, they would totally ride raptors, right? Wouldn’t that be awesome?!
In the Bay Area, I participated in a couple great events at Kepler’s and Books Inc., and I also gave a talk at Google (the Google). Here’s a shot after:
It was an employees-only event, but they did put up a video on YouTube, which you can watch here (after all, they are YouTube).
I was also really grateful to be able to see some of the original Dothraki lajaki: Crown of Gold, Daenerys and Hrakkar. I was out-of-my-mind sick, but that really made the whole trip. Thanks for coming out to dinner, and I hope I didn’t get you sick!
I’m not sure when I’ll be going out next, but per usual, I will note on here whenever I’m doing an event somewhere or will be going to a convention. If I don’t post on the day, may you have a very merry Thanksgiving! Could go for some of that turkey and stuffing right now, to be honest…